What's The Story?

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All the world tells stories.  Some for entertainment, some as explanation, some for identification, some for cautionary purposes.  Some are called escapist, some are called educational.  Some are called fables, fairy tales, myths, tall tales, urban or rural legend.  Some are based on what happened, some are about things that could never happen, some imagine things that might happen.  Some are about things happening right now. When Reynaldi Lolong, a third-year Theater Managing student at Yale School of Drama, asked Tanya Dean, a Ph.D. candidate in the School of Drama and a 2011 MFA in Dramaturgy, to meet with him at Chocopologie for a casual chat about his ideas for a 2012 Yale Summer Cabaret proposal, they immediately clicked in their love of a variety of fictional fare: comix, sci fi stories, Dr. Who episodes, tales of the supernatural, as well, of course, as Shakespeare and classic theater.  What they quickly established is that what they love best in all these genres is the story itself, the tale to be told.  They also agreed that the Cabaret “is the perfect venue for celebrating storytelling.”

Finding themselves “increasingly obsessed” with a search for stories that became “enjoyably all-consuming,” Reynaldi and Tanya consulted colleagues at the YSD and came up with a letter of intent for three theatrical experiences that will run in repertory throughout the summer.  It didn’t hurt that Reynaldi, the Producer this year, was the Director of Marketing for last year’s Summer Cab, nor that Tanya has been involved in some capacity in a total of thirteen regular season Cab shows.

All three shows of 50 Nights: A Festival of Stories will be up by the end of the first week of the season, which begins June 20th, with a show per night, and two shows performed each Saturday, at 2 p.m. and 8 p.m., throughout the run of 8 weeks, or 50 nights.  There will also be two marathon Saturdays—July 14 and August 11—on which all three plays will be staged (at 1, 4, and 8).

First up, June 20 to August 17, is Laura Schellhardt’s The K of D (short for “Kiss of Death”), a one-woman play featuring Monique Bernadette Barbee as sixteen different characters in a rural Ohio town.  Directed by Tanya Dean, the play explores the kind of legends that small communities can sustain, with flights that are both funny and frightening, involving both tragedy and youthful high spirits.  Can a kiss from a dying brother give a young girl the power to kill with a kiss?

Next, June 22 to August 18, Of Ogres Retold.  The play is the brain-child of YSD designing genius Adam Rigg (also the scenic designer for the Summer Cab this season) who uses several Japanese folktales as the basis for this original piece of puppet theater, with a cast of five, involving other-wordly creatures and a sense of the mysterious, the macabre, the monstrous and the miraculous.

Finally, June 23 to August 19, Mary Zimmerman’s The Secret in the Wings, directed by Margot Bordelon, uses the full cast of six actors for this intriguing revisiting of fairy tales.  A journey into the world of “once upon a time,” in a play that weaves together strange and strangely familiar elements from childhood, as a young girl experiences an unsettling night with an unusual sitter who regales her with tales of menace and magic.

As Reynaldi says, each Summer Cabaret is in dialogue with previous years, and the 2012 version builds on last year’s repertory offering of three shows with a dedicated team of actors.  This year there will be six actors, with each actor performing in two of the shows.  The main difference is that there will be one set for all three shows, a versatile playing space able to transform the Cab into the environment needed for each unique play.  Tanya describes the basic set as a kind of “cabinet of curiosities” adaptable to the dock on a lake for K of D, the props and costumes discovered in the course of The Secret in the Wings, and the projection surfaces for the “Victorian macabre” of Ogres Retold.  The doorway into the Cab this summer is like the door of the wardrobe into Narnia, a passage into a world of  surprises, secrets and summer wonder.

Additionally, selected performances throughout the summer will be followed by the Fireside Series, a reading of stories under the stars, with an opportunity to chat with others about the show, and to hear firsthand some of the tales that have been incorporated into the plays.  The Series will recreate that familiar locus of storytelling: the camp fire, and, if it rains, there will be ghost stories with flashlights inside the Cab.

And once again the Summer Cab will boast the cuisine of Anna Belcher of Anna’s on Orange.  There will be light fare, snacks and beverages beginning at 12:30 for the 2 p.m. shows and full dinner beginning at 6:30 for the 8 p.m. shows.  For info, tickets, schedule visit: http://summercabaret.org/.  This year there’s also a blog with behind-the-scenes notes, chat with the production team, and ongoing updates about production and performances, at: http://50nights.wordpress.com/

And, if you like what you see on the site, consider helping the Summer Cab to meet it’s goal of $4,500.  At the link below there is a pledge drive, with various rewards even for minimal contributions of $5—every little bit helps, so don’t hesitate, stress Reynaldi and Tanya, to give whatever you can.  And the Summer Cab Board, a highly supportive and enthusiastic group, have agreed to a two for one deal: so whatever you pledge will be matched by them.  If pledgers meet the goal, that means a total of $9,000 for production, money you will see on the stage.  So, if the thought of stories, creatively told in an intimate performance space by gifted theater students, thrills you, get in on this early and help Reynaldi and Tanya meet their goal.

http://www.rockethub.com/projects/7673-50-nights-a-festival-of-stories