Preview of The Last Romance, New Haven Theater Company
The New Haven Theater Company returns this week with their fall offering. The play chosen by the democratic company, Joe DiPietro’s The Last Romance, was proposed by NHTC member Margaret Mann, last seen in the NHTC production of Doubt. Like Doubt, The Last Romance is a play for a small ensemble, in this case three actors: Mann, as Carol Reynolds; NHTC member John Watson—last seen in the staged reading of Incident at Vichy a few weeks ago, and in last season’s celebrated run of Bus Stop before that—as Ralph Bellini; and Equity actor Janie Tamarkin as Rose Tagliatelle.
As Mann well knows, it’s not easy finding good parts for actors over 60. And to find a play in which all the characters are well above middle-age is even more unique. Most theater-goers in the New Haven area seem to fit that demographic, so why not a play that, as Mann says, treats the possibility of romance between elders as “the same as between much younger people.” She describes the play as “a small play about the one thing that can change everything.” Finding someone is never easy, and DiPietro’s play shows both the luck and chance involved, as well as the obstacles.
Ralph is an opera-lover who once even got a call-back to sing at the Met—the kind of thing one is liable to look back on in later life as a big, lost chance. Now a widower who takes a walk every day, Ralph happens to take his walk at a different time, in a different direction, and that small change causes him to meet Carol, a widow who likes to take her beloved chihuahua to a particular dog park. Mann sees the play as taking a serious—though at times funny—look at “the intersection of lives, later in life,” with “a little bit” of class considerations as well. The play’s setting is not really specified, Mann says, but the NHTC team are thinking of it “as happening in Wooster Square.”
Directing the show is NHTC member Trevor Williams, also seen in Vichy and Bus Stop, who hasn’t directed for NHTC before, but who, still in his thirties, is bringing a more youthful view to the play, according to Mann. Mann directed Almost, Maine for the company in November 2013 and, like that play, Last Romance takes place in “an imagined space” that represents different settings—in this case three, though mostly the dog park.
For Mann, acting is “a chance to step out of my own skin” while enjoying the pleasure of working with other actors. She admits she had “to sell” the play a bit to her colleagues in NHTC, but Watson was also intrigued with the play, and the chance to “play our age” as characters with distinct, “well-written speech patterns.” There’s “a lot of talking over” in the dialogue, and much of the play’s effect should be in its naturalness.
“The characters feel like people you’ve met,” Mann says, and, while the play touches on “aging, illness and loss,” it’s decidedly “not morbid but realistic and touching.” The humor, she says, is “not silly or nasty, but sweet.”
“It’s about trying something new, when you’re stuck,” Mann says of the interactions between the characters, and the risks and rewards of getting to know new people after a lifetime amidst familiar ways.
Any show with “last” in the title is apt to make us think about how much time we have left, but that question is even more relevant to those who have already lived most of their lives. Don’t miss out on last chances, and don’t miss out on New Haven Theater Company’s The Last Romance, showing for the next two weekends at the English Building Markets, November 10-12 and 17-19, at 8 p.m.
The Last Romance
by Joe DiPietro
Directed by Trevor Williams
New Haven Theater Company