Chaim Potok’s novel My Name is Asher Lev tells the age-old tale of youthful rebellion in the name of art. Like James Joyce’s Stephen Dedalus, Asher is a young man with a vocation to express himself creatively. His destiny impels him to become a painter, even at the risk of offending his parents and his [...]
Continue Reading →Gordon Edelstein’s ten years as Artistic Director of the Long Wharf Theater were celebrated last week with an outpouring of tributes, reminiscences, send-ups, and eloquent testimonies to one man’s inspiring journey in theater, from early days in acting classes to directing landmark productions of such classics as The Glass Menagerie and Uncle Vanya, to becoming, [...]
Continue Reading →Yeah, I know, everyone’s having a collective snowgasm in the snowpocalypse, but, should you decide to put your head outside your cave, there are some theatrical events happening this weekend that should make the snowjob of digging out worth your while.
First of all, Thursday night, Jan. 13th, the Yale Cabaret, led by Andrew Kelsey [...]
Continue Reading →What if the job you perform daily caused someone else’s death? A death someone chose, using your regular performance of your duty as the means to her deliberate end? The relation of the killer to the killed in that equation is explored in renowned playwright Athol Fugard’s recent play, The Train Driver, now showing at [...]
Continue Reading →The Long Wharf Theatre production of Henrik Ibsen's A Doll's House managed a surprising feat: it made the play more entertaining without significantly altering it. If you're a purist who wants to see Ibsen played straight, it does that; but if you think that a play like ADH, with its winsome wifey who gets [...]
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