At what point did you embrace adulthood? Have you embraced it? And, if you have, is that concession to time a kind of death? Isn’t the Freudian “reality principle” (wherein we recognize that time applies to each of us, on parallel but separate courses) really just a death trip?
Creation 2011, directed by Sarah Krasnow, [...]
Continue Reading →The Yale Cabaret’s 2010-11 Season ended this weekend with the bang of drums and other percussion.
Michael McQuilken’s The Perks gave a new meaning to the term “musical theater.” Usually that means characters in a play bursting into song-and-dance in an abundance of feeling. At the Cab show, we were treated to musical pieces given [...]
Continue Reading →Shirley Jackson’s We Have Always Lived in the Castle (1962) celebrates social dysfunction. Whatever one’s opinion of the oddball Blackwoods – Constance, in her twenties, Mary Katherine (Merrikat), eighteen, and old, wheelchair-bound Uncle Julian – one can’t help feeling that their seclusion from the townsfolk of Bennington, VT, is merited, that something sets the Blackwoods [...]
Continue Reading →When it debuted in Yale Cabaret's 2009/10 Season, Janyia Antrum's campy sci-fi musical Strange Love in Outer Space was the success story of The Dwight/Edgewood Project (see my review here). Now its success continues with the play's debut in New York in the eclectic and exciting New York Fringe Festival, Aug. 14, 17, 19, [...]
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