Review of Enter Your Sleep, Yale Cabaret
Some friendships are amorphous. In Christina Quintana’s Enter Your Sleep, directed by Rachel Shuey at Yale Cabaret, two friends play out configurations of their relationship within a dream-world, where coping with being apart becomes tinged with wish-fulfillment fantasy and brooding nightmare.
Nora Ephron and Rob Reiner’s well-known “getting to know you” film When Harry Met Sally… gets deliberately invoked when we hear the famous clip in which Billy Crystal, as Harry, opines that men and women can never be “just friends” because sexual desire inevitably makes itself felt. In the play, P.K. Whylde (JJ McGlone) is a man and Glory “Z” Zico (Ciara McMillian) is a woman who identifies as a lesbian. Does that change the dynamic of Harry’s truism? It’s hard to say for sure, and that’s the point of us seeing “what dreams may come” as the two negotiate a separation that may spell the end of their friendship.
Z. has made the break with Tulsa, the duo’s hometown, and gone off to seek a path to selfhood in New York. P.K. stays behind, but eventually moves to Austin. That signals that he’s not the homebody Z. took him for, and his decision not to go to New York with her is either a rejection of the Big Apple, or of her, or of both. In the mix of her present anxieties we see how the question of what the two actually are to each other (once they no longer need each other to endure Tulsa) plays out. Protagonists and antagonists in dreams are not fixed and that leads to sequences in which P.K. acts Z.’s mother or Z. plays a gruff father to P.K. Other episodes show how dreams embellish reality with fabulistic colorings, as for instance when P.K. becomes a rather sympathetic version of the gingerbread-housed witch of the Hansel and Gretel story, or when Z. interacts with a P.K. become alarmingly robotic.
For McMillian and McGlone, the play becomes a wonderland of character-actor turns, as they assume differing demeanors and voices and accents. At one point, in another Harry met Sally moment, they reminisce as an aging Jewish couple. The extent to which the play’s dream world is influenced by the film might be a little over-determined, except that one accepts that much of what our unconscious gets up to derives from roles we yearn for or wish would suit us. P.K. and Z. are a contemporary “odd couple,” with a level of co-dependent interaction that seems to fuel their fantasies of being a couple, which they are in a way that they have still to understand.
Much of the dialogue is sweetly childlike, such as recreating story-time in kindergarten or what seems to be the pair’s first playground encounter, but there is also a fun sequence where—again like the archetypal Harry and Sally—they “do it” against their better judgment. Director Shuey has the two actors run in place with a mounting fervor that speaks volumes about the nature of underage sex—all physical exertion with little emotional resonance.
In as much as they are supposedly in their mid-twenties, the characters’ self-conceptions seem at times anachronistically adolescent, but that also helps to sustain the Harry and Sally parallel. In the film, the couple know each other for years before they—ill-advisedly, seemingly—become lovers. For Z. and P.K., a similar stretch of time finds them each beginning an infatuated curiosity with one another as children. Thus the events of later years can be seen through the perspective of childhood, and vice versa. There’s also a convincing sense of how aping one another’s parents is a way of trying on the guise of maturity without committing to being “grown up.”
Two-handers can sometimes be a little too static, but that's not the case here. Quick-change artists throughout, McGlone and McMillian, both in Cab debuts, tour this actor’s dream of a show, letting us follow the twists and turns of coming-of-age for two characters who desperately want a certain someone along for the ride.
Enter Your Sleep
By Christina Quintana
Directed by Rachel Shuey
Dramaturg: Leandro A. Zaneti; Producer: Melissa Rose; Set Designer: Emona Stoykova; Costume Designer: Sophia Choi; Lighting Designer: Daphne Agosin; Sound Designer: Kathryn Ruvuna; Stage Manager: Fabiola Feliciano Batista; Technical Director: Jessica Hernandez
Cast: JJ McGlone, Ciara McMillian
January 18-20, 2018