Preview, Yale Summer Cabaret
Sin. The fascination with sin goes way back, so much so that seven particular sins have traditional status as the “deadly sins” or cardinal sins. Which is to say “fundamental,” because these are sins that originate as thoughts or desires. In other words, you may be guilty of them even if you don’t commit them. And they lead to all kinds of naughtiness and a level of indulgence that . . . well, let’s just say you’ve been warned.
The Seven Deadly Sins, based on the list that Pope Gregory determined in the period often called “the Dark Ages,” are comprised of Sloth, Gluttony, Pride, Greed, Wrath, Envy, and Lust. The Seven Deadly Sins are also the thematic link for the Yale Summer Cabaret’s 2016 season.
To celebrate Sloth—which is a tendency to do nothing or to want to do nothing to a sinful extent—the Yale Summer Cabaret, led by “the Sin Sisters,” Co-Artistic Directors Elizabeth Dinkova and Jesse Rasmussen and Producing Director Emily Reeder, is kicking off this Friday, the 27th, with a party at the Cab space, 217 Park Street, 8 p.m. There will be actors and costumes and activities almost certainly but we might say that the main idea is it’s summer and time to relax and take it easy. Which includes taking in the rest of the season.
The season proper starts off on Thursday, June 2nd, with the opening of Alice in Wonderland, directed by Rasmussen and featuring Sydney Lemmon as Alice, abetted by a cast of actors—Marie Botha, Paul Cooper, Ricardo Davila, Brontë England-Nelson, Patrick Foley—who get to populate the mind-bending world Lewis Carroll created to delight little Alice Liddell ages ago. He wrote the two-part tale as a fabric of brain-teasers, drawing on puns and parodies as well as chess strategies and mathematical formulas. Some of the figures—the Cheshire Cat, the Mad Hatter—and sayings—“Off with their heads!” “Jabberwocky”—have become overly familiar, the stuff of kiddie classics. The basics of the story have served Disney well, both as cartoon and live-action animation, and some version of Carroll’s whimsical, verbal, and at times surreal work has been given who knows how many live and filmed treatments over the decades.
The version Rasmussen and company are mounting comes via Andre Gregory—a maverick theater personage, of My Dinner with Andre fame—and dates from a time when “counter-culture” was all the rage (much like the rage for Bernie now). That’s not to say that Gregory politicized the story (which some believe was fairly politicized already), but rather that a story set in a “Wonderland” sets off allegorical possibilities.
How will the Summer Cab transform this most transformational of tales? You have till June 19th to find out. The sin to be explored: Gluttony—or, Look what happens when you listen to voices saying “eat me, drink me.” The notion that appetite can stand for a capacity to experience much at once, as we say “a glutton for punishment,” helps fill out this particular sin’s applicability to our Alice, the girl who finds things “curiouser and curiouser,” and whose curiosity seems insatiable.
A brief spot of Pride occurs on June 24th when the Summer Cabaret will hold a staged reading of a new play by rising third-year YSD playwright Tori Sampson. The play Cadillac Crew is set in Virginia during the Civil Rights movement, with an all-female cast. Sampson, in plays like This Land Was Made—about the period in which Black Panther Huey Newton was accosted by the cops, with fatalities—and Some Bodies Travel, her collaboration with Jiréh Breon Holder at this year’s Carlotta Festival, has a knack for exploring historical situations with a very contemporary sensitivity to the way the past inflects the issues of our present. One night only, June 24, 8 p.m.
The rest of the summer consists of Antartica! Which Is To Say Nowhere, Miranda Rose Hall's new adaptation of Alfred Jarry’s bizarre Ubu Roi, set in the land way down under now being colonized by greedy Americans, directed by Dinkova, June 30-July 10; Adam Geist, by German playwright Dea Loher, an odyssey of redemption for a young man prone to wrath and yet in some ways an innocent, directed by Dinkova, July 21-30; Sarah Kane’s Phaedra’s Love, directed by Rasmussen, in an update of the classical tale of a stepmother lusting after her women-spurning stepson, August 4-14. And, for an added event, don’t forget the face-off of sound designers/musicians Frederick Kennedy and Christopher Ross-Ewart on July 15 for “Envy: The Concert.”
More on the individual shows as we get closer to their production. In the meantime, take it easy, eat, drink, and be proud of yourself. The team at the Summer Cab is aiming to “shock our audience out of complacency” (which sounds like it might be the biggest sin of all in this fraught US election year). Just remember, pride goeth before destruction . . .
Yale Summer Cabaret
Seven Deadly Sins
Co-Artistic Directors: Elizabeth Dinkova, Jesse Rasmussen
Producing Director: Emily Reeder
217 Park Street
May 27- August 14, 2016