A Scholar’s Tale: Intellectual Journey of a Displaced Child of Europe

By Geoffrey Hartman (Fordham University Press, 2007)

“I feel embarrassed,” writes the great literary scholar Geoffrey Hartman in this short, epigrammatic intellectual autobiography, “when, occasionally, younger colleagues, usually Jewish, address me as ‘my teacher.’ I realize this is fond and purely honorific, a secular version of ‘Rabbi.’ But it makes me aware of the fact that I have never thought of anyone in so personal a way as a role model.” This charming and defiantly smart book helps the reader to see that no one ever could have been Hartman's role model. His is so quirky an intelligence — and so roundly informed by his own, sad past as a teenaged refugee — that his only teacher in fact was . Separated from his family during the war, lacking for friends, Hartman wandered the countryside with the for a companion. All that he has done since, all the difficult, brilliant essays and books, began in that war-haunted boy’s solitude with his slim volume of poetry. You can read this book for explanations of critical theory — though they are still too abstruse to make much sense to the neophyte — or you can read this book for the droppings of academic gossip (Paul de Man, Auerbach, Harold Bloom). But ultimately this book is worth reading above all for its depiction of the kind of mind that has gone out of fashion: the omnivorous European reader, fluent in many languages, autodidactic, with enough whimsy left to suggest that at Yale May Day be celebrated as Midrash Day. (“The idea had a longevity of two years,” Hartman writes, with a touch of gallows humor.) If we never really know the man — wife and family and pastimes hardly feature in this book — we know the mind, and we do get lovely reminiscences of the child, “father of the man,” as Wordsworth himself told us.

Editor writes for is the author of Thirteen and a Day, and lives in the Westville neighborhood.

Wormwood Forest: A Natural History of Chernobyl

By Mary Mycio (Joseph Henry Press, 2005)

Triggered or not by and its fallout, the meme is in the air of contemplating what the planet would look like if everyone vanished, which is really just a polite way of asking whether the planet might not be better off if we weren't on it. There is Alan Weisman's , the Will Smith vehicle , the special on the History Channel. Somehow we have trouble staying away from the image of New York City alternately underwater or covered with flowers.

In the acknowledgments to The World Without Us, Weisman tells us that his book was inspired by an article he wrote for Discover about the Zone of Alienation, the 30-kilometer circle of land around the Chernobyl nuclear reactor, which was suddenly (almost) depopulated in a matter of days after the reactor's catastrophic meltdown in 1986 and never resettled. is the book he could have written, as Mycio takes us on a long and eerie tour of the deserted towns and cities, overgrown fields, government posts, and squatters' farms inside the zone, where the irradiated remnants of Soviet-era civilization are crumbling into ruins as the flora and fauna reoccupy the territory we kicked them out of centuries ago. The strange news is that nonhuman life inside the Zone of Alienation--as in the DMZ between North and South Korea — is absolutely thriving, in a way that some U.S. national parks would envy, and despite the serious levels of radiation that will persist there, as far as we are concerned, almost forever. The details of this simple conceit are more than enough to fill a book, and while Mycio may not be as lyrical a writer as Weisman is, her book equals Wesiman's in power for its solid, no-nonsense reporting and, more to the point, its grounding in truth. The World Without Us speculates that the world could recover from us; Wormwood Forest shows us that it most certainly can.

Editor is a banjo player and the author of .