A Timely Incident

Preview of Incident at Vichy, New Haven Theater Company

This week the New Haven Theater Company tries something a little different. This is the first time they’ve held a staged reading as part of their season. According to NHTC member J. Kevin Smith, who directs the reading of Arthur Miller’s unduly neglected play Incident at Vichy this weekend, the “idea [of staged readings] has been kicked around” by NHTC for some time, but until now it hasn’t happened.

The reason, Smith says, is that the shows NHTC does produce are always “passion projects” proposed by one of the members who then gets the others on board. Though the idea of staged readings of plays that might be new or overlooked may be a good one, no one had come up with a particular play that was a clear choice.

It so happened that Smith saw a PBS broadcast of Signature Theater’s production of Vichy, and that got him thinking about how he would want to do this particular play, “how it should look and be played.” Smith, who hasn’t directed a play since a Yeats one act in college, said his fellow NHTCers were very supportive of his idea, especially as they could all see the relevance of doing the play now, in this fall’s run-up to a very key national election. So much so that The League of Women Voters of New Haven—a non-partisan group, Smith points out—will be on-hand to register voters before and after the show.

The play will be given “an enhanced staged reading,” Smith says, which means there will be some limited use of lights and sound, as well as entrances and exits of characters. The cast, which numbers 16, will comprise all the male actors in the company, supplemented by other local actors. As part of his pitch, Smith “wanted everyone [in NHTC] to be involved.” The difficulty of coordinating the entire company for the usual 8 weeks of rehearsal for a full show would have been enormous. Which is one benefit of the staged reading approach. Mainly, though, for Smith, the main benefit is about timeliness.

Watching the PBS broadcast, he said, “sent shivers up my spine: the references to the power of the 1%; the wonder at the raw power of cults of personality; the demonization of ‘The Other’—the language is amazingly current.” Indeed, the play “is the ultimate collaborator story,” showing how fear and despair can undermine political courage. For Smith, the play’s main message is one of “vigilance.” “It reminds us we have to be firm in knowing what we’re willing to do to confront oppression.”

While not one of what Smith calls “the trifecta” of staggeringly great plays Miller wrote—The Crucible, A View from the Bridge, Death of a SalesmanIncident at Vichy is a commanding work. Smith also notes that NHTC has held off from doing the great playwrights of the American canon—Miller, O’Neill, Williams—so that this short three-day run is kind of “testing the waters.” The company has done very well by such classics as Inge’s Bus Stop, Wilder’s Our Town, and Odets’ Waiting for Lefty, so maybe a full production of one of the major American dramatists will happen in the future.

For now, this Thursday through Saturday—days after the first of the three presidential debates—NHTC offers a chance to consider the implications of a chilling work about the effects of evil in power and about the moral test of resisting corruption and oppression.

Like Zappa’s old Mothers of Invention tune sez, with knowing irony, “it can’t happen here.”

Monceau (George Kulp), Old Jew (Erich Greene)

Monceau (George Kulp), Old Jew (Erich Greene)

The New Haven Theater Company presents a special staged reading of Arthur Miller’s Incident at Vichy, directed by J. Kevin Smith, running for one weekend only; Thursday, September 29 – Saturday, October 1. Performances are at 8pm at the NHTC Stage at the English Building Markets, located at 839 Chapel Street, New Haven. Tickets are $15, at www.NewHavenTheaterCompany.com

New Haven Theater Company is Megan Keith Chenot, Peter Chenot, Drew Gray, Erich Greene, George Kulp, Margaret Mann, Deena Nicol-Blifford, Steve Scarpa, Christian Shaboo, J. Kevin Smith, John Watson, and Trevor Williams.